The New Oxford Shakespeare edition of Titus Andronicus provides a friendly yet authoritative introduction to Shakespeare's bloodiest tragedy.

'Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.'

In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

Features

• A new edition of Shakespeare's bloodiest play, Titus Andronicus
• Engages with wider debates around Shakespeare's cultural value, which are often missing from critical editions of his plays
• Dedicates ample space to discussion of the play's more problematic aspects, including racism and sexual violence
• Combines fresh, new scholarship from leading researchers with authoritative texts and comprehensive notes in order to offer readers a complete guide to Shakespeare
• Uses the text from the landmark The New Oxford Shakespeare: Modern Critical Edition collated from all surviving original versions of Shakespeare's work
• Presented in modern spelling and punctuation with accessible critical appartus to best aid understanding of the plays and poems

ABOUT THE SERIES

For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

General Editors' Preface to The New Oxford Shakespeare
Introduction
Note on the Text
Select Bibliography
A Chronology of William Shakespeare
THE MOST LAMENTABLE ROMAN TRAGEDY OF TITUS ANDRONICUS

William Shakespeare

Harry R. McCarthy, Edited by Gary Taylor, Terri Bourus, Rory Loughnane, Anna Pruitt, Francis X. Connor, and Emma Smith.

Harry R. McCarthy is Lecturer in Early Modern Literature at the University of Exeter (UK). He previously held a Research Fellowship at Jesus College (University of Cambridge, UK), and is the author of author of Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (2022) and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys (2020). His articles on boyhood, theatre history, contemporary performance of early modern plays, and racial justice in early modern studies, have appeared in journals including Early Theatre, English Literary History, Shakespeare, and Shakespeare Survey, on whose Editorial Board he currently sits.

Gary Taylor is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including The Oxford Handbook of Thomas Middleton (2012), Moment by Moment by Shakespeare (1985), and Reinventing Shakespeare (1989). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and the UK.

Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of The New Oxford Shakespeare and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.

Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeares plays. He is a Series Editor of Studies in Early Modern Authorship and Shakespeare and Text, and a General Editor of The Revels Plays series and the forthcoming Oxford Marlowe edition.

Anna Pruitt is the Managing Editor of Giving USA at the Lilly Family School of Philanthropy at Indiana University. She is an Associate Editor of The New Oxford Shakespeare.

Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for The New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.